Search: Starring Adrien Brody

Anderson has absolute command of his craft and his cast are moulded to it.

Brody invests his character with much more depth than is there on the page.

After we take aside all well-intentioned intellectualising, and all the nice-looking shots, what we have are almost three hours of over-aestheticised torture.

A past shines through another layer of the past into a silver screen present that is both familiar and brand-new.

For some viewers the build up of devious plot twists may be a little overwrought but it is nevertheless an effective way of skewering the cynical viewer.

The action, when it comes, is introduced with an impact that will make you drop your popcorn, and you’ll be on the edge of your seat for what follows.

Chaotic, funny, beautifully shot and performed with a childlike deadpan.

A fantastic adaptation that manages to surpass its source material while staying entirely true to its spirit.

It all has a very particular flavour. Even a new one.

Provides a solid framework for plenty of classic Argento images, suspense, shocks and splatter.

An emotionally engaging tale that sucks you in with its gentle humour and melancholy.

Despite its stoner credentials, HIGH School thrives on speed.

Brody's concentrated performance, as a man who may, or may not, be going out of his mind, creates a tense, claustrophobic atmosphere that pervades the film.

Big is back.

Trengove seems determined to defy the standard solutions to this sort of mess.

For some, Midnight In Paris will be first love; for others, a delicious encounter with an old flame.

Polanski makes a familiar story of persecution and inhumanity utterly fresh.

Rodriguez's up-close, tightly focused direction means our eyes are always drifting toward the shifting focus of the background, hyper-alert for a shimmering Predator cloak.

This movie has some of the strangest moments you’ll see on film this year.

This screenplay, twisted out of shape to fit the demands of Hollywood, is a postumous reminder of Potter's unique talents.

The film is directionless and charmless.

Nil points for originality.

Gentle, touching, amusing, terrifying, shocking and dramatic all rolled up into a beautifully shot and skilfully rendered film.